Showing posts with label Alien8 Recordings. Show all posts
Showing posts with label Alien8 Recordings. Show all posts

Tuesday, March 18, 2008

Lesbians On Ecstasy "Lesbians On Ecstasy" (Alien8 Recordings, 2004)



Artist: Lesbians On Ecstasy
Album: "Lesbians On Ecstasy"
Release Date: October 24, 2004
Label: Alien8 Recordings
Genre: Queercore, Electroclash, Punk-Revival, Indie-Electronic, Riot-Grrrl
Mood: Irreverent, Fiery, Playful, Rousing
Reminds Of: Le Tigre, Kids On TV, Peaches, Chicks On Speed
What People Think: PopMatters
Definitely Worth Buying: CdUniverse, Amazon

Tracklist
1. Intro
2. Parachute Clubbing
3. Tell Me Does She Love The Bass
4. Pleasure Principal
5. Kunstant Kroving
6. Bitchsy
7. Closer To The Dark
8. Queens On Noise (Bring Da Bunny)
9. Revolt
10. Summer Love
11. Manipulation
12. Superdyke! (Live)

The Lezzies On X are a plunder music project, taking inspiration from the lesbian back catalogue by referencing folk artists and punk bands alike, re-writing lesbian history for the dance floor. They use the source material in a musical collage that crosses a wide spectrum of musical styles, all within the dance genre. One of their obsessions has been to develop their own way of playing dance music live, using an electronic drum kit, bass guitar and an array of synths. The insistence on such a strong technological presence in their music serves to highlight the absence of technology in the majority of lesbian music, which privileges acoustic sound as authentic lesbian expression. Lately, L.O.E. are keeping the same concept, but diving deeper into the lesbian vaults. The new recordings are focused on womyn's music from the 70s, in both content and style. They are using this as an opportunity to explore the idealism and optimism present in early feminist theory and music and examine the ways in which these themes have disintegrated today. The Lesbians on Ecstasy are making electronic music of the lesbian variety. It's K.d. Lang, but it's different somehow... Lesbo folk songs, rebel songs and beats for the modern lesbian. Straights and dudes love it too.

It sounds like the sort of high concept joke that's funny once -- maybe. Lesbians on Ecstasy, as their name suggests, take feminist rock classics from the past and retool them for the modern-day dance floor. But their album doesn't just take the Olivia Records catalog in toto and put a house beat behind it; Lesbians on Ecstasy is more clever and subversive than that. Rather than actually covering these songs, the quartet takes elements from them and twists them in sly, suggestive new directions: K.d. Lang's torchy classic "Constant Craving" turns into the ironic Laibach-style industrial stomp of "Kundstant Kroving," for example, and the Parachute Club's cheerleading "Rise Up" becomes the suggestively throbbing "Parachute Clubbing." The best of the lot is the creepy-sexy S/M take on Rough Trade's sexual politics primer "High School Confidential." Provocative on a level somewhere between, say, Le Tigre and Peaches, Lesbians on Ecstasy have created a noisy, gleefully sloppy brand of dance-punk with brains and humour.

(Source: AllMusicGuide)

In 2005, The Advocate magazine chose Lesbians On Ecstasy as their 'Number One Album Of The Year'.

Booty shaking dance hits that maintain a politically infused edge...

Thursday, March 13, 2008

Aube "Cardiac Strain" (Alien8 Recordings, 1997)



Artist: Aube
Album: "Cardiac Strain"
Release Date: February 1st, 1997
Label: Alien8 Recordings
Genre: Avant-Garde, Experimental, Noise, Abstract
Mood: Uncompromising, Harsh, Intense, Volatile
Reminds Of: Government Alpha, Bastard Noise, Merzbow
What People Think: RYM
Definitely Worth Buying: Alien8Recordings

Tracklist
1. Steal Up
2. Infatuation
3. Cardiotonica
4. Angina Cordis
5. Core-Strain
6. Vent

Akifumi Nakajima's Aube project has amassed a lengthy discography, most entries realizing the maximum capacity for audio variation from a minimum of sampled input (in many cases, a single sound source). Influenced by space rock and musique concrète, Nakajima began recording in 1980 but released nothing until a decade later, when he produced music for an art installation given by a group of friends. Since the installation involved water, he decided to use appropriately watery sounds for the music. Nakajima's first Aube release came in 1991, when the Japanese noise label Vanilla released his cassette LP Hydrophobia. Quite a few more water-related recordings followed, and Nakajima soon began branching out by using varied sources such as field recordings, the hum from fluorescent lamps, human voices, brain waves, heartbeats, even pages being ripped from a Bible. He has recorded for Staalplaat, Manifold, Charnel Music, Pure, Iris Light and the Grand Rapids-based upstart Elsie & Jack Records. Nakajima also operates a cassette-only label named G.R.O.S.S. that has released several albums of Aube material. In 1999 the album Evocation was added and a year later Aube closely released, Richochentrance and Blood Brain Barrier, respectively.

While Akifumi Nakajima of Aube not only creates a rather diverse selection of noise works (generally he gravitates more toward ambient than full-blast harsh noise), he also uses some very unique sound sources. This release, as the name implies, is created solely from the human heartbeat, although one wouldn't guess it at first. Distinct heartbeat sounds are heard, but much of the album distorts and twists these sounds beyond recognition. Cardiac Strain is among his noisiest albums. A typical track starts off barely audible until Nakajima either shocks the listener with an ear-shattering burst of rhythmic noise, or until the track eases into things and culminates in a point of pure chaos. Either way, this is a great album, considered by many to be one of his best.

(source: AllMusicGuide)

“If you’re getting a message about the heart being the devil’s organ, or the pit of hell, your brain is ready to endure this album, it’s red flooded sleeve and all.” Carl Wilson, Hour Magazine.

“The six tracks are so creatively processed that it is a shame that those in the electro-acoustic ivory tower will never hear it.” Chris Twomey, Exclaim.

All composed, Mixed, Recorded And Designed By Akifumi Nakajima At Studio MECCA, Kyoto Japan November 1996 – January 1997.

Limited Edition 666.

A guided tour to the human circulatory system…